Fri 13 Jul 2012
Interesting confluence of media, technology and art in this Wired article:
In “Thoughts on total openness of information,” Dan Paluska brainstorms about the possibility of posting all your “personal” information online, asking what the repercussions would be. What if people could see every bank transaction you made? Or read every email you wrote? I started answering these questions for myself with “keytweeter,” a yearlong performance starting in June 2009. Keytweeter was a custom keylogger that tweeted every 140 characters I typed. Over that year, I learned a lot about myself and what “privacy” means. I learned that every conversation belongs to all the parties involved, so I put disclaimers in my emails. I learned that I was more honest, with myself and with others, when I knew everyone could see what I was saying.
After keytweeter, I started working on a project with Wafaa Bilal called “3rdi.” He told me he wanted to implant a camera on the back of his head that would upload a geotagged image to the internet every minute, as an exploration of “photography without a photographer.” So I worked with Wafaa to create a system that made this possible. As a professor at NYU, he had some trouble while at school due to privacy concerns. They came to a compromise where he would keep the camera on, but covered. This performance also lasted a year, over the course of 2011.
After working with text for “keytweeter,” I started exploring visual equivalents. One experiment, “scrapscreen,” made a scrapbook from your screen over the course of a day: every mouse movement “tore away” that part of the screen and saved it to a continually overlapping image. Another experiment, called “Important Things,” captures every click as a 32×32 pixel icon in a massive grid.
Later that year I worked with interactive artist Theo Watson on an extension of “Important Things,” called “Happy Things,” which took a screenshot every time you smiled, and uploaded it to the web. We got pictures from all around the world, with people smiling at everything, from cat memes to the Wikipedia article for Nicholas Cage.
Sometimes this kind of work is associated with “human-computer interaction,” but this term makes it sound like we’re interacting with computers, when in fact, most of the time, we’re interacting with each other. I like to think of it as “computer-mediated interaction.”
In mid-May, 2011, I took a timelapse using my laptop’s webcam to get a feeling for how I looked at the computer. After a few days of recording, I watched the video.